Wednesday, July 29, 2009

Aquitting My Proposal

The Work
I made four prints from four photographs I shot of four tomboys.
22 x 15.5 inch in size - unframed and pinned to a white wall
two up, two down to construct a square .

The Methodology
I investigated what it means to be a girl by reading text of theorists who wrote/write about gender; the likes of Bulter, Rose, Mulvey and de Beauvoir.
I looked at visual artist who explore themes of identity, gender and the sexed body; Collier Schorr, Roni Horn, Warhol, Sherman, Claude Cahun, Catherine Opie, to name but a few.
I studied two of my favourite fictitious tomboys; legendary Scout from Harper Lee's
classic tale, To Kill A Mockingbird and mostly forgotten, shunned and ignored, Anybodys from West Side Story.
I asked myself, my friends and sometimes strangers, 'what does it mean, do you think, to be a girl?'
The next step was to find some girls who thought of themselves as tomboys. Originally i was looking for 8-10 tomboys, but his proved be a little difficult in the time frame i was working within.



I started by making a really basic poster, more as a curiosity to see if anyone actually would respond. I pasted it up onto lampposts and railing outside and nearby
primary schools. I skulk around in the school grounds photographing the playground
and sometimes i ventured into the schools and just walked around. This felt a little
weird and i was never stopped or questioned about what i was doing, which i found interesting to say the least.



I spoke to one school administrator, told her about my project and that i was looking for tomboys to photograph.
She suggested that i speak to the school principle and gave me the card; suppose i don't look as weird as i can feel at times.



The Preliminary Works
One Tuesday I received a telephone call from a guy called Andy who told me that his 11 year old daughter had returned home from school, handed him a tattered A4 piece of paper and proclaimed: 'this is me, can you call? I want to do it.'
Dharma had torn down one my paste-ups and brought it home. This was great, and not just that it's a great story, but because this girl had identified herself as a Tomboy.



The methodology changed from my proposal after preliminary shoots. I had proposed 8-10 portraits, head on, neutral backdrop, outdoors, uniformed aesthetically using a square format. I digressed from this to the inclusion of props, types of clothing, environment and animals. Semiotics which characterised the tomboy. I began to look at encompassing a feeling of what it is to be a tomboy, such as attitude, playfulness, strength, independence, courage, the gaze, the contained gentleness.

Unrealistic aspects to my proposal lay in the sourcing of subjects within the timeline. Working with children has it's challenges in that I am essentially working with the mum or/and the dad and on occasion their siblings. Trying to agree on suitable times to shoot was also an issue, and particularly because these people where essentially strangers to begin with. I still feel amazed at their giving me so much of their time.
Most of my frustration came from the fact that i was shooting on a new camera and therefore unfamiliar to me eg: i didn't know how to work it properly. Not a good state for a photographer to be in. This meant i could not be as spontaneous as i like to be. I took loads of shots, and off course more than often, the stand out ones, the ones I wanted, where out of focus or under/over exposed. In the end i had to work with this, which is not ideal since it wasn't my intent.
The solution to this issue is pretty simple: master my tools!


Did I Achieve My Goals?
Yes and no.
Conceptually yes, because through my photographs an embodiment has ensued of the tomboy. This was my intention.
Technically no, because I want more clarity in the photographs and the blur was not my intent. To know what i am looking for is one thing, but to orchestrate it is quite another. In working with children i have learned they are comfortable and at ease straight away and this is the window of opportunity. On the second shoot they usually became bored and wooden as a result. So, the lesson for me here is: be prepared!

Friday, July 24, 2009

Opening Night featuring: The Incubator - Plus Review form Arts Hub






REVIEW FROM ARTS HUB:By Matthew Bolden ArtsHub | Wednesday, July 22, 2009
Lesley Turnbull's - Teratoma Lesley Turnbull's - Teratoma

Through Lesley's installation we are drawn into a world inside the body, inside the pain and triumph of human experience.

As we enter the gallery one needs to squeeze through strips of black plastic, which just as the artist intended, feels like one is entering through skin into darkness of our insides. And encased in small bottles inside a clear cabinet are X-Ray snapshots of the malign growth within.

The downstairs installation is clinical yet personal at the same time, an intimate view shown through the impersonal medium of a radiographer's still.

Upstairs we are treated to Leslie's journey in a film, with voice and visuals providing a scrapbook of intense pain and the prolonged feeling of hospitalisation. We are guided through a woman's intimate odyssey, sparing us nothing, showing only truth. I had to watch the video twice and found the other observers around me equally entranced. The honesty of this piece is unrelenting but that is what is so wonderful about it. In a world where we are drowned in artifice, raw authenticity like this is a rare pleasure. I thoroughly recommend to all that they see this show.

Lesley Turnbull's - Teratoma

Incubator and Teratoma Mixed Media and Video Installation by Lesley Turnbull
10th of July to 7th of August at Off the Kerb 66B
Thurs-Fri 12.30 to 6pm
Sat-Sun 12 _ 5pm

Incubator Front Gallery

displacement of thy-self

Monday, July 20, 2009

It's all in the process


i shot these medical vials

using out of date Polaroid film,

a process of which I feel

preserves the authenticity

of that which lurks within

bloody ages



well, it's been bloody ages
(hasn't it?)-since i added
anything new to my blog.
Might be something to do with my
consistently moving things around
my studio with the intention
of creating a space that will
somehow allow gold to flow from my
finger tips out onto the keys of my laptop...
that and facebook-the killer of
all things, full-stop
I suppose i have been working on my show,
and now that work is over,
though the show continues
and indeed the show must go on!

So now, let the gestation commence
and the the work flow!!!
aaaarrrrgggghhhhhhhhhhhh.

Sunday, July 12, 2009

Friday, July 10, 2009

Humility

takes away the pressure